I thought the first 20 minutes of Baby Invasion were brilliant, and then it kept going for 60 more and by the time I staggered out after the credits, I needed to prop myself up against a wall for a while with my eyes closed. I haven’t had issues with motion sickness from things shot in the first person before, whether it’s the wobbly handheld camerawork of The Blair Witch Project or the camera-is-you stunt that is Hardcore Henry. But Harmony Korine’s latest marries a first-person...