The year is 1983. Talk radio host Alan Berg (Marc Maron) is on the Colorado airwaves comically dressing down racist callers, while elsewhere across the Pacific Northwest, a series of armed robberies becomes a matter of concern — even more than usual — because of possible white supremacist ties. This is the backdrop of The Order, Justin Kurzel's highly engrossing (if politically slight) police story, in which fictitious FBI officer Terry Husk (Jude Law) begins pulling on real-world threads with disturbingly modern implications.