Finally someone turned Doom into an enriching cultural experience for art snobs

Doomguy has been everywhere. He's been to Mars, he's been to Hell, he's been to Thatcher's England. But what's he do between monster-murder sprees? He pops down to a museum opening to better himself.

In Doom: The Gallery Experience, you walk around a rejigged E1M1 with a cheeky glass of red in hand looking at Piero Di Cosimo's Return from the Hunt and a vase from the fourteenth century. There's not an imp in sight, unless you count the baby Jesus in Francesco Francia's Madonna and Child, who has always looked a bit sus if you ask me.