It takes some time to understand and grasp the ties that bind the three characters in The Village Next to Paradise, Mo Harawe’s first feature film, presented at Un Certain Regard. A father, Mamargade, his son, Cigaal, and a sister and aunt, Araweelo, are gathered under the same roof, somewhere in a small village in the Somali desert. The way in which the filmmaker lets us approach them without forcing a meeting says a lot about a film into which we enter, as if crossing the threshold of an unfamiliar but soon friendly house...