The Saviors review: Adam Scott and Danielle Deadwyler delve into suburban paranoia in a sharply funny thriller

We all tend to imagine ourselves as the hero of our stories. The trouble with that is it requires someone to be the villain. That way of thinking can get dangerous when tumbled into our personal wells of prejudice, paranoia, and need for validation. From this well of mind-bending emotions springs The Saviors, a clever genre thriller with a lot to say beneath its slippery surface. 

Following in the footsteps of eavesdropping-centric thrillers like Rear Window and The 'Burbs, The Saviors begins...