The small film that answers the big questions

Anna and Magnus built a life together. They had a home with three kids and a dog. Then they separated. This is where The Love That Remains begins, but as time passes and the reality of their divorce sets in, they're left to move through a future strained by their unraveling.

Icelandic director Hlynur Pálmason's latest film echoes the radiant visual language of his previous, the 19th-century period piece Godland and contemporary drama A White, White Day. And though its subject matter is heavy, the tone here is admittedly lighter.