‘Nosferatu’ director Robert Eggers breaks down Orlok’s design – including that ‘essential’ facial hair

It’s not hyperbole to suggest that Robert Eggers has spent decades thinking about Nosferatu. In elementary school in New Hampshire, the filmmaker saw a picture of Max Schreck as Count Orlok in F.W. Murnau’s 1922 silent classic Nosferatu: A Symphony of Horror and “lost my mind.” After he became obsessed with the film on VHS, a teenage Eggers directed a black-and-white stage version of Nosferatu, complete with actors painted in black and white. In 2016, after Eggers’ breakout film, The Witch, immediately...