Kate Bush’s Hounds of Love album was revolutionary – and exploded the myth of the tortured artist
Kate Bush’s visionary 1985 concept album, Hounds of Love, was the second she had produced on her own (after The Dreaming in 1982), and the first recorded in her own studio.
It sounded strikingly original for its time. A work of progressive pop that blended elements of experimental electronica, art rock, folk, chamber music and cinematic atmospheres into something new and aesthetically distinct.
Bush embraced digital sampling using the pioneering audio workstation, Fairlight CMI.
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