In the early 1970s, women in the UK were second-class citizens who had few rights. A woman could not buy or own a property without a male guarantor. There was no equal pay, no maternity rights nor any kind of protections against sex discrimination.
There were no domestic violence shelters, no rape crisis centres and no childcare. And if they were ethnic minority or working class, women suffered even greater inequalities. Unsurprisingly in this climate, women artists – either contemporary or historical ...