Spoilers ahead.
MANILA, Philippines – In his essay on Ruben Abalos’s Hayok, a Bomba film released in 1970, Ishmael Bernal notes the use of the phrase “pagnanasang kaibaiba,” which roughly translates to “strange desire,” to illustrate bisexual desire.
It’s a euphemism my mind keeps drifting to as I mull over Jun Lana’s R-18 erotica, Your Mother’s Son, which I read as the director’s elaborate attempt at the Bomba genre, most notable for inducing spectatorial pleasure out of...