Procedural shows, more than most, point us toward talking about them in chronological order. There’s a reassuringly consistent unfolding of the mystery of the week’s beats; we get some character and thematic development, a bit of overarching plot material along the way, aaaaannnd end credits. “One Angry Woman” marks what I think is the first time Elsbeth is encouraging a themes-first approach to an episode, and I’m here for it. The theme of the week — and, you could argue...